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Qualia

As I sit in the waiting room of MetaMind, I recognise the words that undulate across the opposite wall in waves of red neon. Losing yourself is essential for any transformation. They are the opening lines of the presentation given by Professor Ben Milius that changed my life.

But perhaps that is not quite right. It is true, that those words spoken in a dimly lit lecture theatre one drizzly afternoon in November marked the beginning of my own transformation, but the final metamorphosis, that will signal the end of everything I have become in this life, is only now about to occur. Professor Milius, a tall brittle man with a shock of wiry red hair, had delivered the talk entitled, The Consciousness Singularity and Implications for Immortality, with the zealous enthusiasm so often exhibited by those who know, that what they propose, exists along the dangerous border between what we understand, and what we fear. But the protests and petitions had not stalled his work. Even the self-immolation of religious fanatics in city squares across the globe, did little to dissuade the politicians and policy makers from declaring Professor Milius’s experiment crucial, if humanity was to be saved from itself. And so here I am, in the monastic silence of the waiting room. The final preparations have been made to my body, the nano chips have been implanted beneath my skull, so that my shaved head is the only sign that anything has happened to me at all. I fidget with my hands, tracing the fine blue veins that run like tributaries beneath the soft pale skin of my wrists, and over the fleshy mound beneath my thumb. My fingers curl inwards to reveal the three deep seated lines my grandmother drew her ancient finger over one warm summer afternoon. ‘You are going to be a headstrong young lady,’ she told me as I sat in her lap, ‘independent and full of curiosity about the world.’ Head, heart, life. Were those the lines she traced across my hand all those years ago? My memory is tissue thin now, but I do recall the look of wonder on her face as she called to my mother, ‘Mary has no fate line!’ I jumped at her exclamation and she held me closer and whispered to me, ‘Well then my little one, no need to fret. If God has not worked life out for you, if he has not marked a path for you across your palm then no matter, he has decided you are special enough and brave enough to make your own way.’ I am contemplating my fate now. If that is the right word. Somehow the language does not feel right, juxtaposed against the cool science I am giving myself to. I know that the decisions that have led me here have been my own, but not everyone would agree. Emily for one, is convinced that Milius has exploited a vulnerability I have been harboring since the war. 

Emily and I had known each other since childhood. Friends at first, then lovers briefly when grief had thrown us together, and sex was the only thing we had to anesthetize the pain. We both lost husbands in the war, but I had also lost a child, the sniper’s bullet passing casually through his soft cheek and on, through my husband’s chest, threading them together for eternity. I could not stop thinking about death after that, and how war makes you contemplate it in new ways. It is no longer the troublesome party guest you acknowledge politely and spend the rest of the evening trying to avoid. In war, it is the only sure thing in a life full of terrible uncertainty. Emily had taken comfort from this, channeling her passion into the life we still had, organizing a small resistance movement in our city that did whatever it could to disrupt the mechanisms of war. When peace finally came, like a newborn torn from its mother’s womb after a long and brutal labour, she found new causes to fight for. As thousands of climate refugees headed north, fleeing unbearable heat and the famine that followed, escaping the increasingly authoritarian regimes that attempted to subdue their protests, she campaigned for their rights. Setting up schools in camps and organizing food and medicine drops. She could not understand my obsession with death when there was so much life to champion and would often reproach me for it. ‘Stop running from it Mary, and maybe it will leave you alone for a while’ she said. But she was mistaken about my direction. I wasn’t running from it, but towards it, my sights constantly set on the horizon, searching for its shape in the pockmarked ruins of the city, looking for its shadow in the scars that ran the length of streets that once buzzed with cafes and marketplaces. My search had brought me to Professor Milius’s door, intrigued by the idea that death could be cheated. That was not his hypothesis of course, and I never mentioned, in all my sessions with him and his team, that this was the idea that had brought me to him. 

Emily’s love of the corporeal meant that she did not approve of Professor Milius and his work.  

‘We should not be interfering with the laws of nature, Mary. What Milius and his cronies are doing is wrong.’ she said one evening as we shared a meal together, a warm stew of root vegetables grown in the community garden Emily had rescued from the ruins of old allotments. 

‘It’s ultimate liberation’ I insisted ‘the next step in evolution.’ 

‘Evolution will find its own path, it always has, it always will. It doesn’t need Milius showing it the way’ 

Later, as we sat on the apartment roof, watching security drones dart across the night sky, their red lights blinking like devilish fireflies, their search lights sweeping the rubble strewn streets for anyone out after curfew, I broached the subject again.  

‘It doesn’t make sense,’ I said, ‘that Milius is interfering with the laws of nature.’ She sighed, tucking her legs underneath her and reaching for her glass of wine. ‘You are implying that we are somehow separate from those laws, outside peering in, prodding nature with a stick to see how it reacts. But we are nature Emily. Milius’s research is simply the culmination of decades worth of social evolution.’ I picked up her phone and waved it at her, the dark screen came to life, a dozen jellyfish appeared like phantoms and rippled across the screen, trailing feathered tentacles behind them across a black void. ‘Collective intelligence. It’s what we do every day on social media. Think about how you formed those pockets of resistance during the war, how you communicated and organised yourselves. Collective consciousness is just the next, natural step.’ 

‘I don’t buy it.’ Emily said, grabbing her phone and taking a large swig of wine. ‘It’s mass genocide. Humanity will cease to exist.’ She became thoughtful then, and looked out over the cityscape, at a skyline shattered in places like broken teeth. ‘Where will you be Mary?’ she asked after a while. ‘Once you give up your consciousness to those creeps at MetaMind, what happens to you?’ She grabbed my arm and pulled me towards her, holding my hands in hers ‘I don’t want to lose you.’ she said, her voice faltering as she threaded her fingers through mine. ‘I can’t.’ To see her like this was more than I could bear, but my grandmother had been right, I was strong in my resolve, and as I lifted her chin gently her eyes met mine. 

’You’re already losing me Emily.’ I said ‘This life is a game and we have been playing with weighted dice. Don’t you get it? Now we don’t even have to play the game! It’s the ultimate fuck you to death! Don’t you want that after all we’ve been through?’ We did not cry anymore, that reservoir had been drained a long time ago, but her eyes glistened, and her lip trembled as she held my gaze. ‘No more dancing to death’s tune Emily. We can free ourselves from this,’ I gripped her arms and shook her once. ‘This ridiculously fragile bag of bones that can hurt and break and bleed. We can be more than this!’ She pulled away from my grip, and I saw her shoulders tense as she finished the last of her wine. She would not talk to me about it again, and when she stopped answering my calls, I knew I had lost her, sooner perhaps than I would have liked, but we all lose the things we love in the end. 

Now I am alone in the waiting room, and I realize this will be my final solitude. Soon my consciousness will combine with others who have volunteered before me, forming a meta mind that Milius and his team will study. Looking for ways we can exist without the need for the resources we fight over like spoilt children. Last night I lay beneath my open window watching a dust red moon fight its way out from behind ribbons of black cloud. It was beautiful, and terrible, and I realized then that despite all the months of tests and conditioning, there remained a sliver of hope that some essence of me would continue, would hold on to its particular ability to experience the wonder and beauty of the world. Milius had explained it to me at one of our sessions. 

‘Philosophers call it qualia.’ he said, ‘individual instances of subjective consciousness, the unique way each of us experiences the world.’ 

‘And will I lose that?’ I asked, ‘when my consciousness joins others?’  

He contemplated me over his steepled fingers for a moment. ‘You will no longer be a separate entity,’ he said ‘but your qualia may continue to exist, for a while at least, that is something we intend to explore as we monitor the experiment, but there will be no ‘you’ to identify with those idiosyncratic experiences. Once you have merged, to re-find yourself would be like trying to unpick the Bayeux Tapestry and return all those threads to their individual spools.’ 

I could not sleep, and in the bathroom, I held up two mirrors, bouncing my image from one into the other, creating an infinite number of Mary’s, going on and on and on through time.  When shells were dropping and gunfire echoing off distant buildings, I would distract my boy Milo with this game. Where did I end? Where did I begin? Which one was the real me? I sat him up on the sink beside me, “Where’s Mummy?” I asked, and he would stare wide eyed at the reflections for a moment, sometimes placing a small finger to the glass, then turn to me and point with complete conviction. “Mummy!” he shouted, and I would laugh and lift him up. He would bury his head in my shoulder and wrap his arms around my neck, his legs around my waist, and we would hold each other fiercely until we were perfectly sure and confident of each other’s existence. I remembered the bony weight of him against my hip, how his fingers twisted the ends of my hair, and his breath, like warm milk, misting my cheek. Those sensations, that unique moment of perception, I would hold on to those qualia with every atom of my being and never let them go.  

The doors to the waiting room swing open and Professor Milius enters followed by a smiling woman in a white lab coat emblazoned with the MetaMind logo, a tiny hologram of a butterfly emerging from its chrysalis. It spreads out its brightly coloured wings momentarily before returning to the chrysalis in a never-ending loop.  

‘You are ready?’ he asks, and I nod. ‘Any final questions?’ I do not have any. ‘Then I will leave you in the capable hands of Dr Swan.’ He indicates the smiling woman beside him, and she steps toward the door.  We walk together along the windowless corridor. Strips lights blink on as we pass and my rubber clogs squeak alongside the measured click of Dr Swan’s black patent shoes. We do not speak until we enter a room where I am told to get up on to a couch. The room is small, but behind a glass partition is a cavernous space, an anti-gravity chamber where those that went before me float like wraiths, iridescent tubes trail from their temples and from beneath their white gowns, like the tentacles of the jellyfish that pulsed across the screen of Emily’s phone. Now I will join them in an intimate and infinite bond; their qualia will become mine and mine theirs. I climb onto the couch, I am ready. 

Losing yourself is essential for any transformation, the words bubble up from somewhere and explode behind my eyes like fireworks. I feel a sense of emergence, not a butterfly but a moth, escaping its cocoon to take flight into an inky night. There are threads of light unravelling from me. I reach out for them, but they have come together like a current and are moving with a powerful force toward other streams of light that crisscross the void in an intricate tapestry. I begin to transform, losing myself as each thread, each qualia, becomes a part of the meta mind.  A single, delicate thread, no more than a hair’s breadth across, hovers at the edges of my vision, bent like a question mark it motions me towards it. I try to focus on it, to move in its direction, but find that I cannot rotate my vision to see it clearly.  But I feel it, a brief but intense sensation, a familiar weight and a comforting scent and a sound like a brook bubbling over a stony bed. Language is starting to evade me, but I try to put a name to the beautiful and powerful sensation; it is love.  I am so overwhelmed by emotion and longing that I cannot breathe, but it is only a memory, of a wound on a pale cheek, red like a lipstick kiss, of the air held tight in my chest for fear that the scream it released would never end. It is gone now, that silver thread. It has found its place amongst the billion others that weave their way through infinity, and I sense my mind become free of the umbilical that has been connecting it to death. It is what I wanted, but now there is no I, just a billion threads hurtling through the void and the last thing that I truly know, is that I am reaching for them, that I don’t ever want to let go.

Natural Violence


In the moonless dawn the river ran black and swollen, like a fat lip bleeding out.

She would not bleed anymore.

In her mutilated mind’s eye she imagined a body broken and bruised by the current; ravaged against fists of rock, dark voids violated by the persistent mouths of curious fish.

A natural violence; a fitting end.

But it would not be hers.

She looked away over the trees, purple and restless; at the body lying at her feet bound and bloodied, motionless and mute, and she rolled it into the river with the worn out toe of her boot.

tell me of the ocean

The boy squats at the water’s edge and pushes the little blue boat out onto the lake.  A soft breeze catches it’s red sail, and with gentle persuasion it glides out into open water. Beside him, I sit and dip my fingers into the cold water, trace invisible patterns until my fingers are numb. I imagine this creeping blankness travelling up my body, releasing each of my limbs from the agony of sensation, finding its way across my chest to my beating red heart. Across the void his voice reaches me. He is always there, I think, always at the edge of oblivion he finds me.  

“Tell me about the ocean mommy,” he says and I retreat from the edge, the question is familiar, comforting. “What’s it like?” he asks, shifting his body to sit closer to me.  

“It’s like this lake”, I say “but much bigger, so big that you can’t see to the other side.” 

The boy considers this, and I see his eyes fill with questions. “What’s on the other side?” he asks.  

“No one can remember.” I say. 

“Have you ever been,” he knows I haven’t, he is teasing me, “in the before time?” 

I smile, “I’m not that old sweetheart, the before time was a very long time ago.” 

“How long?” 

“Oh, forever long.” 

My smile is an opportunity and he grabs it. 

“There could be tigers!” He is up, standing over me. 

“Yes!” I say as he spins round, excited with possibility.

“And dinosaurs!” He has me now, my little panacea, my prince, my beating red heart.

“I’m sure of it!” I say, grabbing his hands as we turn, looking up into the canopy of birch that splits the sun into a thousand fragments of burnished gold. 

“Monkeys!” he shouts. 

“Elephants!” I yell. 

On we go, round and round, our shouts spiral skywards, disappearing into the blue. I close my eyes and will them onward, see them washed up on white sands. 

“People!” he says, and I am blindsided; the dearest, most dangerous possibility of all. 

Looking down at him, the rise and fall of his chest, his golden hair sweat darkened, his pale, expectant eyes, I cannot speak. He is in my arms and I feel his heart against mine, his loneliness seeps into my bones. Let me have it, I pray, let me take it from him. 

“Look.” he says from over my shoulder,and I turn to see the little blue boat entering a narrow stream that flows from the lake. I tell him to run, quickly before the current catches it, but he does not move. He is watching the water, noticing how it moves differently there, how it ripples and catches the bow causing it to dip and rise, faster and faster. He takes my hand and I feel the bones beneath the skin, brimming with possibilities. 

The heat is losing its hold on the day and the gentle breeze gives way to its tyrant sibling, who captures the red sail with a cruel, casual entitlement. 

“Oh!” I cry, and the sound is high and plaintive like a trapped songbird. Tightening his grip, the boy looks up at me, and in the failing light I see the shadow beneath the brow, the serious line of a strong jaw beneath a soft cheek. 

“It’s okay Mommy,” he says earnestly “It’s going to be okay.”

We stand and watch the blue boat, staying until the red tip of the sail disappears, winking out like a star in the first light of dawn.

Eyelands International Flash Fiction Contest

I am delighted to announce success in the 2nd Eyelands International Flash Fiction Contest.

The task was to write 500 words on the theme Spring. I used this theme to write a story about love, loss and renewal. About the young giving strength to the old, and about the unconditional love between a young child and her mother.

It is thrilling to see my writing published for the first time!

You can buy a copy of the anthology ‘Spring’ on Amazon here

https://www.amazon.co.uk/SPRING-STORIES-eyelands-international-fiction/dp/1705719376/ref=sr_1_1?keywords=spring+stories+eyelands&qid=1636458272&s=books&sr=1-1

Commute

We stand in rows like waves; seemingly chaotic to the casual observer, but with definite form and structure. We are preparing to break.

We shuffle in the new arrivals, defending our space; all are potential usurpers and we protect our borders in stoic silence.

Today I am feeling good about the spot I have claimed. It’s prime real estate and only took a sly sideways shuffle and a bag nudge to obtain. Yet nothing is a done deal at this stage of the game. I won’t know for sure the effectiveness of my position until the train arrives and the carriages tease their way to a standstill, our hearts racing as they slow, our heads calculating where the nearest carriage door will be in relation to our position when the doors slide open and welcome us.

Worse case scenario? You find yourself stuck equidistant between two carriage doors. The less experienced will dance pathetically in indecision, jazz hands flailing as seconds are lost to panic and waves wash over and around you. There is no time to audition in this situation. You don’t have that luxury, you just have to hope your instincts serve you well and that your leap of faith takes you in the right direction. Never, but never change your mind. That way lies disaster. Like when you change queue at the checkout, or passport control, or in a traffic jam, because the other line seems to be moving quicker, and it is – right until the moment you join it and then; a sack of potatoes is missing a barcode, or someones passport chip has fried and won’t scan, or the car in front overheats and dies. It’s embarrassing. You, are embarrassing. The platform pariah no one will look in the eye as you try to regain position. It’s futile, no one even knows you exist. Your alpha status was a lie. You never were anyone.

But today I have a good feeling. The platform is busy, as usual and I can feel someone up against my back. I sense their tension and stiffen my shoulders against it. They don’t back off but I’m a pro at this, they really don’t know who they’re dealing with. I’ve been riding this line for fifteen years, I know all the tricks. Body positions, bag offensives, umbrella deployment, I can use them all to devastating effect.

The announcement comes and faces turn. I feel a sharp push against me. Amateur, I think.

The train slides into view signalling the beginning of the end. Bags are hoisted over shoulders and across bodies. Feet shuffle anxiously. The person behind leans into me with unnecessary force and, irritated now, I push back firmly. I consider confrontation but the train is closing in and I am certain I am heading for ultimate victory today. I am sure it will be Door Dead Centre. First on, pick of the seats, let joy be unconfined! My heart pounds and I take a step forward.

And then it comes, a quick hard shove and I am falling. I see my shoe above me on the platform and I have a sense of satisfaction at that. I can hear shouts and a whistle and the screaming of metal against metal. There is an ocean above me but I am washed up. I think I have been here forever. Suddenly I know, with a banal finality, exactly where the doors will stop. The breath leaving my body is the sound them opening.

Dr Eam

“Dr Eam will see you now.”

I make my way through the curtain of colourful beads that separate his office from the waiting room. The noise they make as I let them drop behind me is louder than I expect and I catch my breath in surprise and hunch my shoulders, afraid to turn and look at the catastrophe I may have created; fearful that all the beads have fallen to the ground in a cascade of neon sparkle.

“Ah Miss Foley, how wonderful to see you! Do come in come in, come and take a seat! No no not there, on the couch Miss Foley, the couch for you, up you get!”

Here he is, ushering me onto the couch wearing a white coat and a huge smile, an absurd red sweat band across his brow that I feel sure should be something else entirely, but cannot put my finger on what. It is hot in his office. I mean like tropical heat, and a fan whirrs away on his desk, and a plastic parrot grips the back of his chair and stares at me with black eyes.

“Having trouble sleeping again Miss Foley?” he asks

“Yes I am. I wondered whether you could do what you did before. It worked so well and has lasted a good six months, but I’m afraid the effect seems to have worn off now and I just can’t seem to get off any more.”

His hand is on my shoulder now, gently easing me back onto the couch as he peers into my face frowning slightly,

“Ahh yes yes I see! Reality is returning Miss Foley! I see it there, behind your eyes. A dark spot, expanding outwards! Its already eating away at the corners of apathy. Like a hamster Miss Foley, or is it a squirrel?” He turns around and waddles up and down the office with his hands clasped behind his back, then turns about abruptly, raising a finger to the air.

“No matter, no matter! Looks like you came just in time! We’ll soon get you back to your happy place Miss Foley!”

He smiles broadly once more as he looms over me, and from the pocket of his ridiculously oversized white lab coat he produces a handful of glitter and throws it, unceremoniously at my eyes, peering at me for a few seconds before brushing his hands together and returning to his desk.

I follow him with my gritty sparkle encrusted vision. His white lab coat now a sequined cloak that flows out behind him like a jewelled waterfall. And I sigh as my eyes weep stars, and finally I sleep.

WritingPrompts

Perspective

Everything was starting to fade now; light, memory, hope. The carriages went on and on into the distance, like some art class on perspective that he had been dumped in the middle of – except there were no other students and the teacher was AWOL. How had he got here? It was impossible to recall, but he thought he had been searching for something. His brain felt fuzzy at the edges, like it was gradually being erased, art class again he thought to himself, never was any good at it. ‘You’re too much of a perfectionist to be creative’, his father had told him once, ‘art isn’t about being perfect, in fact good art should be necessarily imperfect.’

He looked into the distance now, watching parallel lines come together, an arrow pointing the way, or a dead end?  Was everything just a matter of perspective? Wasn’t there anything that was singularly true, unquestionable no matter how you looked at it? As he stared toward that narrow horizon he was startled by a sudden sense of movement; the carriages to either side of him, seen in his peripheral vision, travelled at such speed that they had lost all form and feature, had softened into a charcoal smudge that sped along the tracks in a direction that was neither one way or another.  He thought they were racing ahead of him, but a slight alteration in his senses; a blink, a heartbeat, a breath, and they seemed to be moving the other way. All this passed in the time it took for him to turn his head and discover, to his astonishment and dismay, that the carriages were not moving at all.

At first he was filled with anxiety, certain he was crazy. Each time he saw the carriages from the peripheries of his vision they were travelling at what must be over one hundred miles an hour, but when he turned his face to look head on, they were still and silent and unequivocal in their lack of motion. He crouched down and peered underneath the carriage to his left and then to his right. Nothing, just a deep heavy blackness that made his stomach sink.

He got up, brushing dust from his knees and continued on, giving his absolute focus to what he considered, for his sanity, to be the end point, but which he knew, realistically, was no such thing. The end point moved on at the same pace as he walked towards it. Yet what else could he do? Should he give up? Lay down in protest at the absurdity of his situation? After all he wasn’t getting ANYWHERE! Goddammit, he cursed himself. Think man! Think! Get some damn perspective!

And suddenly the thought came to him. A simple notion, a final idea before his mind became something else. He put down his backpack, took off his coat, carefully folding it and leaving it to rest beside his bag. He reached for the carriage on his left, set one foot onto the metal strut that ran along the bottom, took a final look down the narrow avenue that he had been travelling since things  had begun to fade and, with absolute certainty, he lifted his other foot off the floor, and he flew.

His father sat at his bedside, holding his hand. Saw his chest rise and be still for one final moment before his last breath rushed out, speeding on and away to that final horizon.

 

 

WritingPrompts

Vandalism

How can such an act of violence be a proclamation of love I say as you carve our initials into the tree.

It means I’ll love you forever, you say, not looking up or away from your work,the tip of your tongue poking out as you concentrate. Like a snake, I think.

I don’t see how, I say, and dig my hands deep into my pockets as the wind gusts through the naked branches. This tree won’t be here much longer, it’s got the mark.

What are you on about, your voice raised an octave, a clear sign I am starting to niggle you.

The red splodge, I say, there.  I go up to the tree and put my hand to the trunk, pointing out the circle of crimson paint, an open mouthed kiss, like Judas. I spread my fingers out over the spot, hiding it from view for a second before revealing it again, a poor magicians trick.

It means it’s for felling, I tell him knowingly. Forestry management. I pause for a response. Means they can, you know, manage the forest better? I sound unsure.

Really? you say, not convinced, standing back to admire your work, brushing off a few slivers of bark that cling hopefully to my initial.

I’ve not heard that before, I reckon it’s a paintball mark. I’ve seen kids running through here from the estate with guns and that.

You walk towards me, returning the knife to your pocket.  You coming? you say as you brush past me heading off, out of the woods.

I stay and look at what you have done. I trace my finger over each crude letter you have sliced into it’s skin. I look up at branches that sway and snap and struggle against the winds cruel embrace. I look through this and on and up, to a smudge of sky where birds soar and dive, soar and dive.

 

 

 

WritingPrompts

Hunted

Floodlights startle me out of my solitude, I am a wild animal and they have me.  My heartbeat pulses in my throat, and hers flutters against me like the wings of a trapped bird. Hush now darling, hush. I whisper the mothers lie; It’s okay, everything is okay. I fly through the dark night with secrets on my lips. Here I am, I say, you found me; and the children put on their boots laughing, shouting to each other as they grab their weapons. I turn my back to the light as something howls in the distance; an unbearable wailing that will carry these children to me. A tiny foot kicks out, a hand presses me from the inside and I put my palm to it. She gives me my orders; carry on she says, I need you to carry on. I remind myself that she is the reason, and I turn into the undergrowth and run.

 

 

 

 

writingprompts

endurance

I chase battleship grey clouds,

into a war zone.

Bullets pepper my thoughts with holes

that I string out like paper dolls,

their frilly skirts flap like gunshots

and we fall down, scraps of paper.

Shred me,

I am no ones soldier.

And yet….

here I am in the ceasefire,

climbing up and out.

The papercuts on my fingers open

as I grip cold earth;

each sting, a salute,

and I push on.

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